Teaser for short film 'Mickels'

Last year as part of the ongoing production The Town of Figure Eight Lalacuna filmed Mickels (AKA Lokomotiv) one of the four short films to feature in the pilot program.

Short film 'Lokomotiv' as part of The Town of Figure Eight - stills

Here are a few still frames from the 'Lokomotiv' (AKA 'Mickels') shoot - part of The Town of Figure Eight pilot.

The Town of Figure 8 - The Rescue

"Huston we have a problem"

This is JON - JON is lost in space.

So to re-cap The Town of Figure 8 (or 'Fig 8') pilot program is well into the production phase now. We shot the train exterior section way back in late 2010 and some examples of that can be seen here http://www.facebook.com/Lalacuna (also earlier posts on this blog). We have also completed the overall script, clearing up some issues to do with the core meaning of the pilot program. The central theme is to do with connection and its various forms - for this pilot episode we follow a character called Mickels and his experience of connection with the town.

The Rescue is the first of the four short film sections that feature in the pilot episode of Fig 8 to be filmed. We shot the main bulk of the film over the weekend of the 2nd and 3rd of April 2011 in the AVA immersion Space (studio) at the University of East London (UEL). We also went back to UEL two weeks later to achieve firstly the tricky opening sequence shots of the character JON (Tai) and also some pick up shots from the main shoot which saw the introduction of SAM (. A minimal crew was used for these shots in comparison to the main shoot which saw fifteen plus crew.

So as things currently stand we are pre-pairing to shoot the remainder of the short films that will feature in Fig 8 - 'Mickels', 'Showetime' and 'The Marching Band'. It has been discussed that we may shoot all of these in one block but this is still to be confirmed. We will then capture the parts that feature Scott, the narrator style character that is traveling around Fig 8 on the back of a train. These will be shot on a set using back projections of the railway line footage we captured at Chinnor using the GoPro HD Hero http://gopro.com/ (Examples can also be found on the Lalacuna Digest Facebook page).

Mickels struggle

As part of Fig 8 the story of Mickels and his struggle with the town involves him leaving the security of his home and venturing into the outside world. To visualize this I have been working on the idea of turning a stair way into a train track.

Top lit stair way

  

Light from train track tunnel

Hopefully the transition between stairs to train track will convey Mickels inner struggle and the pressure of what may be either approaching or what lyes beyond - echoing the movement from the comfort of his room/home to the outside world. The transition would happen either through the use of camera adjustment or set movement.

Camera adjustment

To give the effect of a change in both the perspective and the angel of the stairs to railway tracks I could use the effect sometimes known as the 'Trumbone Shot' which is achieved by moving the camera either closer or further away from the subject on track whilst adjusting the lens length using a zoom lens. Also to adjust the angle of the stairs the camera could either be tilted upwards or lowered down on a jib arm.

Set movement

By adjusting the set the effect could also be achieved and possibly to greater effect. To achieve the shot the camera would be locked off and the background would adjust to give the illusion the stairs have transformed into train tracks. The structure would be made from wood and in the upright position would look like stairs. On cue the structure would be lowered down to the floor and would then resemble train tracks. By having a strong light at the top of the stairs and the end of the train track the connection will be stronger between the two.

Here is a model of how the device may look

The model is unfinished and as you can see it is missing some steps/tracks.

Building the Filmable Pinhole Camera on location

The build was pretty stressful and involved all hands available to achieve. We started by measuring four feet between the image plane, and the Sony EX1 camera, on the lengths of wood I had purchased from Wickes the night before. Then we placed the planks of wood on a step-ladder and a rubbish bin as a temporary resting place. The aim was to replace the bin with two legs that where adjustable in height. To achieve the next stage of construction we needed to establish the final location of the camera which would be on a incline of 10 degrees – this would need to be factored into the positioning of the legs on the front of the system. We where now running short of time to achieve the shot before the train departed on its next hour long journey. Dan Duran found time to help and we soon had the system nearly complete. Our next challenge was to move it to the other end of the station where we would be filming. To do this we moved it in sections and then finalised construction on arrival. Once the system was in place and the camera was focused and fixed we sealed out any ambient light so as to achieve a bright enough image on the image plane. Once the camera was sealed in it became very difficult to make any adjustments to the framing etc.

 

The Town of Figure Eight - Shoot Day 1

After an hour and a half journey we arrived at Chinnor Steam Railway for a 9am start. There was a few different shots we needed to achieve throughout the day. The first was a shot from the back of the train going through the country side using a HD hero - excellent for shooting in tough locations where there is a risk of potential damage to the camera. The only draw back of the HD hero is the fact it can only shoot at 30 frames a second - not ideal for TV broadcasting (firmware update now available for 25 fps shooting). However this was fine for us as we intend to use the footage for back projection. After the first train run we knew were we where with that shot and had it under control. This meant I could now move my attention over to constructing the Filmable Pinhole Camera System ready for the shot scheduled for around 12ish.

The day before the shoot

I had to work on the Saturday before the shoot and knew that when I finished I would need to go straight to B&Q to purchase some last minute items to enable the Filmable Pinhole Camera system to work. I checked the closing time and had two hours to achieve my goal. On my way from Lewisham on the bus too Greenwich. I suddenly remembered that there is a Wicks building suppliers a lot closer and walkable to Dan Duran's place - perfect to drop of the materials for transport to the Chinnor location at 7.30am the next morning. So I jumped off the bus and walked the five minutes journey. When I arrived at Wicks I asked for a pen and paper so I could sketch out a rough design of how the system may work.

Rough design of frame

More rough designs

I set about shopping for the materials I believed would be needed to construct a frame that would both give enough length for the four feet minimum distance for focus and enable a light proof space around the image plane and the Sony EX1. It was now very clear we would have our work cut out for us in the morning.

Final test and finishing touches

Now that we had a system that produced an image bright enough to be filmed, it was time to do just that. I took the box round to Dan Duran's house as he owns the Sony EX1 Camera we would be using for the actual shoot on the weekend. We set up the filmable pinhole camera in the front room at night and soon realised creating enough light to replicate the daylight situation we would be filming in would be hard. So instead I borrowed Dan's light box and placed an X using black gaffa tape on the middle of it so as to be able to clearly see a focus mark. I then set about moving the light box with the X on backwards and forwards to get a better understanding of the depth of field and focal length of the lens. Form this test it became very clear the distance between the EX1 and the image plane would need to be around about four feet. This I believe was due to the low light situation and the need to zoom the image slightly for framing. Whilst the box was at Dan's he kindly sprayed the inside black so as to reduce the amount of light bouncing around inside. We also found time somehow to smarten it up for the imminent shoot date on Sunday at Chinnor Steam Railway. To do this we coated the now tatty outside of the box with white card and decorated the hole around the lens with a flaming trim.

Testing focus

Now that a lens had been incorporated into the filmable pinhole camera system I needed to know how much of the image would be in focus due to the fact that using a lens creates what is called Depth of Field. I also needed to test how to set the focal distance by moving the lens nearer and further away from the image plane. To determine this I decided to create a basic test outside my house using some homemade distance markers and a brick wall.

Focus Markers on brick wall

Filmable Pinhole Camera Focus/Depth of Field test

By measuring in five feet increments I could get a rough idea of how close or far the subject of our film should be for a good focus to be achieved. I started by setting up the first marker five feet from the box and then the others in further five feet steps as shown in the picture above.  I then took a series of photographs of the resulting image created inside the box moving the lens each time.

Focus Test 1

The first photo above clearly shows the focus to be around the first marker placed at five feet from the box. The wall around the marker is a good way of seeing the depth of field - what is in focus. I marked the position of the lens from the image plane and moved it a few millimeters to see how the focus changes in the next picture bellow.

Focus Test 2

The second photo at the new lens position shows how the focal length was affected as the 10 and fifteen feet markers are now sharper focus than the five feet marker. Also the depth of field appears to be larger in this photo.

Focus Test 3

In this photo I have moved the lens once more increasing the focal distance. All markers are now soft focus and the road and houses in the background are sharp focus. Both the focal distance and the depth of field have increased significantly in this photo.

This test, although very rough, did help cement a few issues with the system. I now knew roughly how far the box would have to be placed away from the subject of our film. I also knew the light level of the image would be sufficient for the Sony EX1 we had planed to use for filming inside the box. The introduction of a lens with a small pinhole style aperture in front of it meant we now had an adaptable system capable of capturing an interesting image.

Experimentation with Lenses

To start with I worked with the smaller lenses from the slide viewer to see what results I could get. The first thing I noticed was the image tended to be sharp in the middle, but very soft towards the edges. This effect looked interesting and Dan Duran liked it initially. However we decided a vignetted look was clearer and introduced a piece of tube to the front of the lens to control the light. Essentially we only wanted to use the center of the lens.

The first images I achieved worked, but where too small. The focal distance from the lens to the image plane was very small, meaning the image plane had to be very close to the back of the lens, creating a small image. The picture bellow was taken with ambient light leaking through - but an image can clearly be seen, which was a vast improvement on my earlier experiments with just a hole in tinfoil.

I then set about testing the overhead projector lens using the same vignetting tube effect. I placed the lens on the front of the box I had constructed and then sealed out any ambient light.

I now felt very good about the filmable pinhole camera system, and positive a good result could be achieved for the shoot that had now been scheduled. The next thing to do was test the depth of field issues created by introducing a lens to the system and also to finalize the actual shooting set up incorporating the digital film camera.

Lens Introduction

To achieve an image with enough light to be filmed by the Sony EX1 camera, a lens is needed. By simply using a pinhole alone, with a clear focus, means the hole has to be very small. If the hole is large enough to give a good light level it means the focus goes soft. The lens we have is from an overhead projector and has a very large projection size (thanks to Val for lending it to us).

I also dismantled an old photographic slide viewer I had knocking around which delivered some positive results also. The lenses from the slide viewer are a lot smaller and created much smaller images than the projector lens shown above.

I set about experimenting with the different lenses I now had in the hope of achieving a much brighter image. I did however know that by introducing a lens into the filmable pinhole camera system I would be looking at issues with depth of field, image size and perspective, which isn't such a problem with an image created by a simple hole in a piece of tinfoil.

Pinhole Camera video footage

Here is a link to some video footage of the pinhole camera in its early stage. I asked my house mate Andy to walk towards the pinhole and as you can see the light level is very low - but an image with movement can be seen.

http://www.youtube.com/watch?v=BDKxR0bCXfQ

After this test I spoke to Dan Duran (Director) about the system and how to move forward. It was soon decided that a lens would have to be introduced to increase the light level of the image.

Digital SLR pinhole camera tests

In the early stages of my research and experimentation I also explored the idea of using a DSLR to achieve the pinhole camera look the production required. I considered the idea of placing a pinhole in front of the sensor chip inside the DSLR. The chip would act a bit like the image plane in the larger box version. 

Above is a plan sketch drawing of how a potential DSLR pinhole camera could work.

At Focus 24 we hire out film and video equipment, which meant I could do some basic tests during down time at work – not that there’s much of that! lol. By working closely with George at work we achieved some interesting results, that where unfortunately not right for the production, but worth further development at a later stage.

Image created using Canon 5D with no lens but a piece of tinfoil placed in front of the sensor chip.

The thing with DSLR’s is they have a very large ISO range and can film at very low light levels without too much noise being introduced. This would mean the hole in the tinfoil could be very small – only allowing a small amount of light in, but the ISO (sensitivity to light) could be set very high to compensate.

 

 

First outdoors tests

Once I had completed my tests indoors I felt it was time to test the prototype pinhole system outside in a full daylight situation with room to test frame size and focus. I carefully carried the box downstairs and out the front door. The first thing that came to mind to rest the box on was the green recycle bin outside the house.

Box on bin

Rear view of box

Me, box and passerby

From this test I started to understand that the light level would always be very low inside the box. This is due to the size of the pinhole having to be very small to achieve a focused image.

Pinhole size

Creating a small round hole in a piece of tin foil is harder than it sounds. When the pin is pushed through the tin foil it tends to tear it. However with some care and a steady hand a good enough pinhole can be made. By making a series of different size holes in a piece of tin foil and mounting them on card I could now set about testing the focus and light level on the image plain.

Various size pinholes

Test looking out of window

Image created from test

Transporting the filmable pinhole camera prototype

I took the first version of the filmable pinhole camera system into my work place to test it under controllable light conditions. Where I work - Focus 24 - is based in Shoreditch, so taking the system on the train was interesting and lead to a few strange looks from other passengers.

I soon realised there may be some issues with the size of the camera system and how this may effect our schedule during filming. Mounting the pinhole camera system and the EX1 camera together could potentially pose further issues in terms of space to film in as I now know the distance between the EX1 camera and the image plane - unlike as I first drew in my sketches - has to be at least four feet to enable focus.

First build of filmable pinhole camera

I now felt confident enough to build a prototype ‘filmable pinhole camera’ so as to refine my research ready for actual shooting. I remembered I had some foam-board in the loft, left over from a film job I worked on about ten years ago. In an ideal world the box would have been made out of wood, metal or plastic maybe but for this stage of the project foam-board was more than sufficient and easy to work with.

 

Not knowing the exact dimensions needed for the filmable pinhole camera made life a bit tricky when it came to making the first cut into the foam-board, so I decided to build the largest design possible with the limited amount of material I had. The great thing about foam-board is that you can cut through the top layer of card and the foam in the middle, but leave the bottom layer of card intact – enabling a right angle to be formed by folding the intact layer of card. I soon had a basic structure and could start experimenting with creating an image.